The UK Web & Mini-comix Thing is gone, but the London SP Expo is here to replace it! It’s run by the same people who started the Bristol SP Expo, which is a few years old and now runs over two days.
Anyway, the first one was held yesterday and I went to sell my comics. I didn’t get issue 4 of the Red, White & Blue finished in time. Even though my new year’s resolution was to take it bi-monthly, and the cover still actually says “Jan-Feb 2011” it’s still not done! I’d like to blame a cold I had late last month, but really I was just too lazy. I did have one new production, in the shape of issue 1 of The Trident. I finished this last year and it’s an unofficial continuation of the Sexton Blake Library and Boys’ Friend Library, ie one long text story. The first is about Sexton Blake in World War 1, I sold an amazing two copies! XD
But before setting out to the convention I had to make a “colours nailed to the mast” T-shirt to wear. Using rubbish print-yourself iron-on transfers, it didn’t go well. But then again it only had to last a day.
First print a mirror image… (my dad inevitably had to point out that it was “wrong” in case I “hadn’t noticed”)
Get yer amazing Tesco value t-shirt, and a mum with an iron
I’d been intending to stay up for “as long as it took” to finish issue 4, but it had got to 9 at night and I’d still not finished the (20,500 words so far!) Sexton Blake story, and not even started on the 5 pages of Tigers of Punjab (the three of issue 4’s short Speedway story took all of January). Anything produced that quickly wasn’t going to be any good, so I decided to not produce it at all and leave issue 4 out. The Sexton Blake story could do with some big tweaks too, if it’d printed it as-is it would have been very rambling and bland. So instead I packed what I had, printed the strips for issue 4 that did get finished, and went to sleep at a decent time.
The finished material in a display book. I need to take my printer’s colour management in hand… things that are supposed to be darkish grey are almost-black purple! It will be sorted out for when the actual comics are printed.
As it NOT traditional for my comic convention trips, the transportation ran perfectly smoothly. Nobody had dropped a match at a station or anything. (Actually the fire that closed Cambridge station last year really was huge and could be seen over most of the city, plus a tall former mill was in danger of collapsing onto the station. But at the time I didn’t know that XD).
Had to use the “London Overground”, I didn’t even know there was such a thing. I just thought it was a funny nickname for the parts of the Underground that aren’t actually underground (which is a surprising amount of it, actually). But the Overground is actually a seperate train with it’s own lines.
After arriving at New Cross station, apparently near Millwall stadium (they weren’t at home, I doubt supporters of a club with a reputation for hooliganism and long-haired comic con goers would mix!) I predictably got lost. At least the Thing was on a straight road from it’s station, even I can’t get lost on a straight road XD. I found the venue pretty much at 10 o clock when the event was opening to the public, though for the first hour it was pretty much just the exhibitors, still. Several wandering around and chatting to people they knew.
What I could see. Opposite me were several DFC contributors. To my shame I never got that comic, but will certianly be getting The Pheonix, it’s “replacement”. Even if I hope to have emigrated by then I still will!
I just took lots of pictures… all of the architecture!
Wanna see a huge organ?
I also set up my table. The new stands make it look a lot better, but I really need an A5 one for The Trident (and, when it’s done, The Dragonfly). Also I’d hoped to have the A6 sized penny comics in a seperate box all jumbled up (the different stories will be different colours), but I’d only got one finished (-_- and that was a reprint) so into the stand they went as well.
After that I took a quick run around the hall to look for the stuff I wanted to buy especially, but as I was in a hurry I actually didn’t see any of them. I did see Yuri Kore but she didn’t have any new books out. But if you haven’t got the two she had released then buy ’em! One of them won a competition organised by the Japanese embassy!
At 11 I phoned up my girlfriend, who is Japanese. I’d not had any contact with her since the earthquake but she said she was fine, just that she had to walk home from work which took 10 hours O_O. I also found a yen in my change bucket and gave it to some anime fans behind me. From about 11 on people actually started arriving and browsing. Though I didn’t make any sales til gone 12 I did give out a few hastily-made (they always are) free flyers.
There was also no less than three film crews wandering about at one point! Well this is in a university, I suppose the media studies students wanted to get their “interviewing” badge. “for some strange reason” they didn’t interview me. Oh well, I only would have said that a story paper that ended in the mid-1920’s was the best comic ever.
As the day went on I handed out a few more free flyers, though oddly enough still had a few left. People won’t take shoddily-produced rubbish with silly puns in it even if it is free! No less than three people who came to see me had actually heard of Sexton Blake! The story paper revolution gains momentum, comrades! Around 1 I went off for food and then a longer wander around the hall. I found all the stuff on my shopping list, including (finally) some issues of Futurequake, Omnivistascope (both near-professional quality publications inspired by 2000AD’s heyday) and some Starscape productions, including the Starscape Storypaper! It’s A6 sized but what can ya do. It’ll while away some time at work. “For some strange reason” the guy at the Starscape stall thought I’d be older. Well I do mainly collect comics from before World War 2.
I also got the first two issues of Non-repro (a seperate post about this will be made eventually!). This came about when somebody posted on the forums of Sweatdrop Studios (a seperate post about them will be made eventually!) saying “Why isn’t there a regular UK manga anthology?”. The people who came to produce Non-repro said “Why isn’t there a regular UK manga anthology?” and made it!
Aand I also got “The Comix Reader” – 24 tabloid-sized pages on newsprint for a pound! There’s all sorts in it and some is not for children. Encouragingly it says “Issue 1” so unlike the similarly-formatted Gothic there will hopefully be many more!
I got heaps of other stuff too, and ought to blog about some of it eventually. I want to treat all British comics the same, whether they be million-sellers or photocopied pamphlets!
Eventually the day came to a close. I’d spent a good 50-odd quid all in coins and sold about 10 comics, so my case was considerably heavier on the way out! One of the rules of this con, unlike the Thing, was that we had to help put away the tables and chairs too. I was half expecting a load of whinging and moaning and sudden development of bad backs, but actually everybody was making themselves useful and actually doing it. Then again contrary to expectations the majority of people at the con seemed to be working class, when you’d think a bunch of “creative types” would be airy fairy and middle class. Oh well, comics were always too good to be wasted on the likes of them!
My real name is tarquin wetherby but I used my cleaner’s name to blend in.
Then it was time for the journey home, which was similarly uneventful. I’d used cheap Tesco deodorant which didn’t last the distance, luckily the trains weren’t crowded and stereotypes about comic con goers remained unproven to the public at large XD. Wierdly when I arrived at Ely station it was soaked and smelled like heavy rain, but the train had not passed through any rain, and my dad said our village hadn’t had any either. Very narrow band!