A few years ago i went to the Bristol comic convention two years on the trot. On both occasions i only decided to go the day before and thus was extremely tired and spend hundreds of pounds on train tickets and last-minute hotel bookings. Mind you the first year i went the hotel i got was actually closer to the convention than the official hotel.
Anyway, i decided to revive that tradition by deciding to go to the Birmingham International Comic Show less than 24 hours before the doors opened! Though i sensibly left out the hotel booking and just went for the Saturday… Birmingham doesn’t take the whole day to get to, after all. I also wore a black armband in tribute to Jose Maria Jorge.
In another tradition of me going to comic events i took NO pictures whilst there, so instead i’ll take a look at some of the comics i bought.
Selected bits and pieces. I actually left out another one i bought there that i have been slowly collecting for a few years called Vampire Freestyle. It’s good so read it.
Fantastic cover, whoever designed this knew what they were doing.
A strange one this, a group who were selling some superhero type comic were giving it away for free. It dates from 1998, when self publishing was still just about in the photocopying and mail-order era, and when internet-capable computers were still not quite within the reach of everyone. To reinforce this fact it actually has no email address or website on it. The authors have actually put in a postal address to send comments and feedback to!
Oh, i suppose that isn’t “strange” after all, if they didn’t have a computer! Right, then, what about the stories – those are strange!
The stories are very eerie horror tales, most of them have almost no dialogue and bizarre endings. The artwork is fantastic – very dark with acres and acres of hatching rather than solid black areas. It’s also very big and bold, this is an A4 sized comic yet has at most about 4 panels to a page.
The Comics Creators Guild is a sort of trade union of comic creators large and small (though mainly small!). They produce this book yearly. It’s not a half tabloid sized hardback like “proper” annuals, but you can’t have everything. It’s a real mashing together of disparate styles and genres within. Some familiar small press names like Space Babe 113 pop up regularly. These books are always worth buying!
I recently joined the forums of Sweatdrop Studios, a Cambridge-based comic creating group that i had somehow not had any contact with all these years (and who i ought to do an article about!). I bumped an old thread saying i was going to BICS and was anybody going – i got a reply from Yuri Kore. So i went to talk to her and bought this!
It’s an eerie horror story about a girl who believes that a monster lives in her wardrobe, and that if she doesn’t play with her dolls it will come out and get her. Her father is also dead and people blame her mother for the death. Various other characters pile on the pressure, scheming and backstabbing – all the while the monster in the wardrobe grows stronger and stronger. You can tell this won’t end well!
Fantastic artwork once again. Also the book is tightly bound so i used the very professional journalistic device of “my hand holding the page open”. Come to think of it why didn’t i scan this? It’s not like it’s going to be damaged by being put in the scanner unlike the 100 year old bound volumes i’m normally delving in to.
A familiar look? If not, why not!
A new comic with art by Keith Page – who also works for Commando and recently completed The Iron Moon, a story about the British Space Empire of 1897! I actually went to BICS to get The Iron Moon (and some sushi), but the printers hadn’t come through in time (and i had a devil of a time finding the sushi restaurant too). Instead i got this, published by Time Bomb Comics who state that they specialise in “one shot” books.
The story in this is actually a little confusing, as it uses a character called Charlotte Corday who first appeared in a webcomic that i haven’t read. So searching that out first is recommended. The story revolves around Charlotte going on a secret mission in London, whilst trying to maintain psychic contact with her superiors in France. Also her enemies are vampires. And the police are after her with some odd listening equipment. And another police deparment want to fight the vampires… phew.
The story is also framed by a section set in a flooded modern London with Charlotte “making up” the story with her children. The actual story appears to be set in the late 1940’s – which means lots of lovely cars!
The back of the book says it’s for “all ages”, though really i think a “12” rating would be better. Mind you there’s no end of cultural references in it that will fly over the head of anybody not between the ages of about 40 and 60. Or else people like me who just live in an idealised version of the past.
Anyway, here’s the first page of that webcomic i haven’t read yet: http://dennisthedonkey.blogspot.com/2009/10/story-begins.html
The image uploader has decided not to work for the picture of Poot… hurrah. Anyway it was one of the multitude of Viz ripoffs of the late 1980’s that died out within a few months (except for one called Smut that somehow lasted up until 2007, though i have no idea how, not even Borders stocked every issue… and it wasn’t funny). However now Poot is back!
Compared to Viz, Poot is more… silly. That might seem a bit strange since Viz has a bit of a silly reputation itself… but Viz also does some pretty vicious satire (like The Modern Parents) that i couldn’t see appearing in Poot. Mind you they do ridicule Macs and iGadgets a lot… which is a good thing.
I had a bit of a chat with them, but if i may i’ll hand over to Kevf off the Comics UK forum:
Another very positive stand was Poot! comic. I was pretty sure I’d not seen Poot! since I was was working for the comics that shared a shelf with it in the early 90s (the Viz-alike titles Gas, Brain Damage, Zit, UT, remember them?). And I was right. The guys had run Poot as kids, folded it when the bubble burst in 1991, got proper jobs as accountants and the like and, last year, revived the comic for fun. And now, after a dozen issues, they have a distribution deal with Seymour, they’ve been accepted by WH Smith’s travel outlets, and are currently selling 16,000 copies a month. On newsstands. I don’t know about you, but I find that one of the most heartening stories in comics I’ve heard this year. An independent publisher is selling a comics magazine, printed on paper, in good old fashioned newsagents, and people are buying it.
Their starting point was simply looking at the shelves, seeing that Viz was the only funny comic there, identifying a hole in the market, and filling it. They’re not making a fortune, but they are paying their contributors, breaking even, and enjoying themselves creating and publishing comic strips. If others could replicate this success I’d be delighted, and I get the feeling it’s possible.
Of course Titan ought to be trying to replicate that success by publishing Roy of the Rovers Volume 1.
I bought the latest issue, and also the “pilot issue”, which has much of the content of issue 1 (of the new version, not the one from the 80’s!) but a few different strips and layouts… might be worth a few bob one day!
Ten pounds worth… but ‘worth’ a lot more!
Excitement abounded on Comics UK when it was revealed that a new magazine about British comics was to be released. Many people, including me, took out subscriptions… but were a little disappointed by the presence of several mistakes and also waffle-filled articles in the early issues. I allowed my subscription to lapse and largely forgot about the magazine (despite joining it’s forum and talking about Doctor Who on there, ahem). Until it was suddenly announced that issue 16 would be the final one!
Anyway, as a penance i bought several issues from the Crikey stall, and they certainly show a lot of improvement over the early ones! There’s also a nice article about Spaceship Away in one, and several ones that focus on some slightly more obscure comics that had my ebay bid finger itching.
I still feel like i ought to do more, mind you. Like start my own magazine about comics! Mind you it’d probably just regurgitate posts from this blog, come out once every decade, and only be available on one day of the year.
In all, a decent convention. Next up (maybe) is the London MCM Expo, the last weekend in October. This time i’ll try and remember to take some photos!